This installation transforms the exhibition space into a sensory environment shaped by the experience of living under bombardment. Through tactility, scent, strobe light, and sound, the work builds a state of pressure, interruption, and disorientation. It approaches war trauma not as an image of destruction, but as something felt through the body.

The installation explores the tension between immersion and discomfort. Its sensory qualities can appear seductive, while at the same time producing physical unease, alertness and instability. Scent becomes a trigger for memory, light becomes alarm, and sound moves between curiosity and threat.

Alongside the physical installation, a sound piece by Swedish sound engineer Agnes Cassel intensifies this unstable atmosphere. The work considers how violence continues to live in the senses, and how the body remembers danger long after the moment of violence has passed.